Having bulky come after wisp was a challenge, but I liked the inherent contradiction and the conceptual contrast. The art teacher I had in junior and then again in senior high school (Mr. Kinney moved to the high school when my class did; it was not for want of his trying to teach me that I did not become an artist) always emphasized the importance of contrast: “Lights on darks! Darks on lights! Contrast! Contrast!” — at which point, once, one of the guys jumped up and yelled, “Rah! Rah! Rah!” Good thing Mr. Kinney had a sense of humour.
Well, so far, so good. I didn’t spill water on the page, nor did I set it on fire, nor did I misspell anything. I will say that drawing wisps wasn’t easy, nor did I find a satisfactory way to do so. All I could think of was fog. We’ll see where the wisps lead us.
It’s Inktober again. I rather hate to start with this, but I am aware of the controversy swirling around Jake Parker right now.¹ Mostly I agree with the Well-Appointed Desk’s take on the matter (see below).
I had hoped to have more time to devote to this year’s Inktober, to write Bridget’s side of the correspondence from last year’s story, but I need a less consuming project. So I’m going to take each day’s prompt and use it in a line of a poem (no, I’m not really poet, but I thought I’d give writing a poem a try), and “illuminate” the page in the margins as I go along. Here’s the first day’s line and mini-illustration:
Stay tuned to see if I can pull this off. I’ve already messed up by leaving out a word in the first word. I had to glue a strip of paper over the first line to write the proper version. Maybe I can blot tomorrow’s line or spill water on the page!