2020 Review: February, the Unknowing Month

I think of February as the Month of Unknowing, because there was still so much I didn’t know and because there was so much that our elected officials did know, but chose to forget or ignore — to un-know. And that “unnocence” has cost thousands of lives and jobs, shattered health and families, and riven our country even further apart. I am trying to be hopeful that with a new administration in the White House and vaccinations in arms, we’ll be able to mend some of these rifts, but I do think we can’t expect politicians to take care of these problems unless we keep our eye on them and do some of the work ourselves. So be nice and play well with others, people.

Meanwhile, back to 2020.

The first of February, 2019, was the day my mother went to the hospital, the day we learned how ill she was, the day we were told she had little time to live. My mother, who had been an actress, had always wanted to play Hamlet; I always thought she should would have been a magnificent Cleopatra. At her funeral service, I quoted from the end of Enobarbus’ speech (the one about the barge) and, on the anniversary of the beginning of the end, my Shakespeare app served up the lines I quoted:

What do I make of this coincidence? Not much. It neither comforts nor upsets me. But I do think coincidences are usually kind of neat.

 

 

 

 

 

 

 

February also started off with a repeat trip to the Monet exhibit. We were lucky to get to go twice, but I happily would have gone a dozen times. I’d seen a few Monets here and there before, but this exhibition made me understand Monet’s genius and artistry and feel the emotion in his paintings. Suddenly his work wasn’t just another pretty face.

I hadn’t known that Monet had worked as a cartoonist. This drawing reminds me of my grandfather:

 

 

 

 

 

 

Grandpa is the adult in the middle.

 

 

 

 

Many of the same paintings made me stop and re-contemplate them,

 

 

 

but the second time, others got more of my attention than they did the first time through.

 

 

 

This is a scene of the beach of Trouville, which reminds me of Gigi.

 

 

My new plan for our yard (which is a little larger than the frame of this painting):

      

 

 

 

I was, again, often taken by the details in the paintings.

 

Some of the paintings reminded me of California.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Most didn’t. 

   

It was almost impossible to get my camera to catch the colours accurately.

After the exhibit, we stepped out into an evening that was almost as beautiful as the paintings.

We walked over to Civic Center Park. It was one of those evenings when the sky changed measurably from moment to moment and each change was more striking than the last. (The Capitol was lit red for Women’s Heart Health, a good cause, but against the clouds, it did look a little ominous.)

 

 

 

 

 

 

It was the sort of sky that made me think of the word “firmament.”

 

Civic Center Park has a rather splendid colonnade,

one that was set off by the glorious beauties of that evening’s show.

 

 

 

 

 

 

 

The evening display ended on a somewhat ominous tone:

 

 

 

 

 

 

 

There were quiet days: more sunrises,

    

more sunsets, 

 

 

 

 

 

some snow.

 

 

 

And then another trip, this one eastward, to Kansas.

No going over misty mountains this time. Those were left behind for the stretching plains of Eastern Colorado and Western Kansas.

 

There was an odd, event-horizon sort of sunset.

  

 The cardinals were still living in the yard.

There were lambent sunsets.

 There was a full moon.

 

 

 

 

 

The creek near us tried to catch it.

So did the trees. 

 

 

 

 

The climbing ivy made some of the trees look green.

 

 

 

 

 

 

 

 

I did some cooking.

 

 

 

There were more sunsets.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I thought about my parents.

 

 

 

I rambled around at night.

The moon started to wane.

I rambled around during the day.

 

 

 

 

 

 

 

And then I headed home. The plane took off several hours late. This time the sunset was less event horizon, more nuclear:

And I was back to the view from my front door:

  The old moon in the new moon’s arms.

 

 

 

I was still riding the bus, running errands, going to appointments, visiting the book store.

     

  My indoor plants started to sense the coming of Spring.

The sun and moon did more of that rising-and-setting thing they do.


 

 

 

 

And February was over.

Eclectic Epiphanies: John Berryman, My Mother, the Pandemic, and the Curse of What’s Boring

 

 

 

I seem to be going through a poetry phase, which isn’t a bad thing. Berryman’s poem below has been running through my head lately as I’ve been trying to keep in touch with people over assorted devices and apps, across all this expanding time and distance, through the phone and letters, just like all The Experts say we’re supposed to do. The poem, “Dream Song 14,” was one my mother quoted a lot when I was young. She mostly tossed out the first seven lines. Have a read:

 

 

 

Dream Song 14*
By John Berryman

Life, friends, is boring. We must not say so.
After all, the sky flashes, the great sea yearns,
we ourselves flash and yearn,
and moreover my mother told me as a boy
(repeatingly) ‘Ever to confess you’re bored
means you have no
Inner Resources.’ I conclude now I have no
inner resources, because I am heavy bored.
Peoples bore me,
literature bores me, especially great literature,
Henry bores me, with his plights & gripes
as bad as achilles,
who loves people and valiant art, which bores me.
And the tranquil hills, & gin, look like a drag
and somehow a dog
has taken itself & its tail considerably away
into mountains or sea or sky, leaving
behind: me, wag.
The reason my mother liked this poem is that she was, indeed, bored. She found being a parent often boring (which is not to say that she found us boring, but the allure of diapers; laundry; square meals; schlepping us to school, to piano lessons, to doctors’ appointments; catering to our feverish demands when we were ill — somehow escaped her). And, unlike Berryman’s Henry (honestly, I’m kind of unclear about the relationship between the poet and Henry, even after a bit of reading around the ‘Net), my mother had no qualms about saying so.
       To be fair, my mother inculcated in us, her children, some decent Inner Resources. She did so mostly by opening one door or the other and saying, “GO OUTSIDE,” and then leaving us to figure out what to do when we got there. But she also taught us how to throw balls and make mud pies (the trick is not to use too much water) and expected us to climb as high as possible in trees.
     When we couldn’t play outside (often because of smog), we had clay and blocks and Lego and crayons and paper and I don’t remember anyone ever complaining about the mess. Our folks also had no problems about our covering the floor with pillows and blankets and doing indoor gymnastics, though they did get a bit nervous when we slid down the stairs on pieces of cardboard.
     We weren’t constant hoodlums; we also played quietly in our rooms, alone or together (I spent hours reading), and grew up in a civilized era when we could do our homework every night and still have time to watch lots of sitcoms — Gilligan’s Island, The Brady BunchI Dream of JeannieI Love Lucy. Inner Resources.
      So what does any of this have to do with the pandemic? Well, as I attempt to keep in touch with friends and family, I find these lovely people asking me questions such as “What’s new?” and “What have you been doing?” And I find myself answering “Not much” and “Laundry, paying bills, making dinner, napping.” One might assume that I am bored. But the truth is that I am not. “After all, the sky flashes…”
“the great sea yearns…”
“we ourselves flash and yearn…”
(this is as flashy as I get). 
     And I don’t find literature, especially great literature, boring.
             
Also, I have this blog where I can range around the scattered ideas that ping madly in my head. Inner Resources.
       So what’s my problem? As I said, I’m not bored. The problem is that I am boring. Most people want to hear about the hassles of working from home (I’m not working right now) or about ventures outside the house (I’m staying put) or about dealing with family (my folks are dead, my kids are grown). I think about Henry Higgins’ admonition to Eliza Doolittle, his “strict orders as to her behavior. She’s to keep to two subjects: the weather and everybody’s health–Fine day and How do you do, you know–and not to let herself go on things in general. That will be safe.”** Everybody’s health is of course the first subject discussed and, if no one has COVID, disposed of. Discussion of the weather currently seems to be insultingly banal. Politics is either too risky or too distressing. I’m not sure how to get conversations properly balanced these days.  Most don’t want to hear me read John Berryman or Richard Wilbur or Anne Sexton and then ramble on about their poems. Maybe you don’t either, yet here we are together. 
Thanks for sticking around.
________________________
*John Berryman, Dream Song 14 from The Dream Songs. Copyright © 1969 by John Berryman, renewed 1997 by Kate Donahue Berryman. Used by permission of Farrar, Straus & Giroux, LLC, http://us.macmillan.com/fsg. All rights reserved.
**Henry’s mother presciently responds, “Safe! To talk about our health! about our insides! perhaps about our outsides! How could you be so silly, Henry?” And of course Eliza ends up telling the genteel gathering about how her aunt “come through diphtheria right enough the year before. I saw her with my own eyes. Fairly blue with it, she was. They all thought she was dead; but my father he kept ladling gin down her throat til she came to so sudden that she bit the bowl off the spoon.… What call would a woman with that strength in her have to die of influenza? What become of her new straw hat that should have come to me? Somebody pinched it; and what I say is, them as pinched it done her in.”

Six Months

It’s been six months, as of today, since my mother died. I feel like I’m in a Greek myth-Freaky Friday mash-up: I’m Persephone waiting for Ceres to come back after her half-year in the Underworld. It ain’t gonna happen, but I still rather expect Mom to show up and want to know why we haven’t finished fixing up the house.

Oh well.

To mark the day, here’s one of my mother’s favourite poems, “One Perfect Rose,” by one of her favourite authors, Dorothy Parker:

 

 

A single flow’r he sent me, since we met.
All tenderly his messenger he chose;
Deep-hearted, pure, with scented dew still wet –
One perfect rose.

I knew the language of the floweret;
‘My fragile leaves,’ it said, ‘his heart enclose.’
Love long has taken for his amulet
One perfect rose.

Why is it no one ever sent me yet
One perfect limousine, do you suppose?
Ah no, it’s always just my luck to get
One perfect rose.

(https://www.poemhunter.com/poem/one-perfect-rose/)