So it is another new year. I am having a hard time saying “Happy New Year” because, honestly, it isn’t. I hear everyone saying “Thank God 2020 is over!” but there’s been no miraculous, overnight transformation of the situations in which we all find ourselves. The Atrocity is still in the White House; McConnell still makes the Senate the Graveyard for legislation; COVID-19 runs rampant through the planet; here in the U.S., too many people refuse to wear masks or maintain a safe distance from others; people are hungry and homeless and losing health and hope. I think I shall feel a new year has started at noon on the twentieth, when Joe Biden takes the oath of office and the Atrocity in the White House has left the building. Maybe the end of the year will be happy, but right now, all I can wish us all is that we survive the first part of 2021. Then let’s see where we are.
Meanwhile, I have been going through my photos from last year. I take photographs as a way to remind myself to notice the world, to see the beauty, the memorable, the stirring aspects my small space, as a way to distract myself from my depression. Sometimes it even works. I have monkeys-and-typewriters¹ approach to photography: I figure that if I take enough photos, statistically, some of them have to be half-way decent. It’s one of the few theories I have that seems to pan out.
If you like, come with me on a review of what I chose to see through my cameras last year. Here are some of my photos from January. I have come to think of it as the Pre-Pandemic Month, because even though SARS-CoV-2 was making its still insidious way into almost every corner of every country, we had no idea that there would soon be a pandemic. I was too busy hoping against experience that our president’s impeachment would lead to his removal from office.
One the first day of 2020, I went out into the world beyond my yard. I saw mountains,
and the ponds along my bus route.
There were graceful wisps of clouds and the moon up early in the day-lit sky.
I was out with my family, and we lingered until evening. The mall was still decorated for the season,
and the star that’s lit on the the mountainside every year was still shining over the town.
Our tradition is to visit the Boulder Book Store on New Year’s to take advantage of their Readers’ Guild inventory sale. We did not go this year, and I find missing that visit to my happy place has sharply reminded me of how my life has changed.
We went out for dinner. We sat inside a restaurant. We didn’t worry about it.
I tracked the phases of the moon.
I tracked the changes to the pond (note the ice and all the geese).
I watched the sun set. And I watched the moon rise…
AND THEN — I went to the Monet Exhibit at the art museum. It was astonishing —
especially the details.
I saw a whole — shoot, I can’t find the word (stupid aphasia; I’ve had it since the time I was on Prednisone years ago) — phase? group? category? set? of Monet’s work of which I had been completely unaware: the winter scenes:
I don’t have the artistic vocabulary to describe techniques or effects properly, but what struck me about these paintings were the co-existing qualities, the way they were simultaneously subdued yet vibrant, misted in frost while brightened by it, exciting and calming. The chill of the icy blues was almost palpable, but so was the warmth of the coral tones.
Some of these qualities were apparent in other paintings,
even those in sunny regions,
and foggy climes,
and temperate zones.
And of course there were water lilies. There none of the truly great and famous water lily paintings, but the ones in the exhibit were still breath-taking.
One prosaic note about the exhibition: the paintings were so numerous and the galleries so extensive that it took up two levels in the museum and, half-way through, visitors were allowed to take a bathroom pass, leave the exhibit, and return. I’ve never been to a show where one was allowed back in after leaving. My only complaint about the experience is that the museum was very firm in its policy of not letting me take any of the paintings home.
I haven’t figured out how to make movies work in my site, but I think if you click the link below, it will show you one of the “trees” on display in downtown Denver that evening:
Eventually the moon (Wolf Moon) got full.
It rose in a burnt-yellow colour, but brightened as it climbed the sky.
One of the books I got at the Book Store sale was Take Me With You, by Andrea Gibson:
I’m not entirely sure to what genre it belongs; it was on a sale cart. But several of the author’s observations stayed with me. This one seemed apt enough when I read it, but in retrospect, it now seems absolutely prescient:
I think, after last year and the beginning of this, we are going to have to learn to to say this and then find ways to speak our revival.
Some random shots of what caught my eye:
We took a trip to San Diego for a family gathering.
(“Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To find our long-forgotten gold.”
And spent a bit of time at the beach (though not long enough).
I saw this person walking along the beach for quite a while, collecting things in a basket. I wish I had known how to approach her (?) and ask about her gatherings without being forward. I feel there’s a story in this photo.
Look where we went:
Proof I really was on the Surprise.
Unfortunately, it was being renovated, so I didn’t get a lot of good pictures.
Back over the Misty Mountains…
to the familiar light of home.
We attended the symphony. It’s almost frightening to think how dangerously reckless we were to go somewhere in such a crowd, but, like almost everyone, we had no idea was coming.
There were the usual interplays of light and shadow, real and metaphorical,
The pond stayed frozen.
The moon waned.
And January was over.
1.”The Infinite Monkey Theorem is a proposition that an unlimited number of monkeys, given enough typewriters and an infinite amount time, will eventually produce a particular text, such as Hamlet or even the complete works of Shakespeare.“