Dunes have to be sand dunes. Are there other kinds of dunes? Sand dunes are naturally kind of slippery because the sand slips as one walks up anyway; putting ooze on one is kind of painting the lily.
Therefore, to be possess’d with double pomp, To guard a title that was rich before, To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish Is wasteful and ridiculous excess.
I know, I know — “slippery slope” is pretty cliché. But it seemed to work here. The strained and inverted syntax is supposed to reflect the opposing forces of gravity and the climber’s desire to get to the top of the dune. I’m not sure it works; I confess my choices were dictated by what I could draw. What I had verbally sketched out was
…And gnashing teeth —
Lodged in a lethal throw
The slippery slope she barefoot treads
Up the oil-slicked dune…
But I didn’t know how to draw “disgusting” on its own.
Today’s word — throw — was difficult because my already unsatisfactory drawing skills don’t extend to comprehensible depictions of verbs. My first thought was to go with throw, as in throw rug or throw blanket, but I couldn’t see that going anywhere. So I pulled up the thesaurus and learned that throw also refers to a potter’s wheel. That option seemed much more promising than a blanket. So here we are:
I had rather hoped to give this poem a bit more narrative structure, but I think it’s going to depend more on evocation of mood and feeling than on story. At least it’s Hallowe’en season, so I’ll try to keep it a little spooky.
Writing a poem like this, one word at a time, with the words already chosen, feels a little like trying to channel someone else’s free-association session. It’s an interesting mental/creative exercise.
I went for the obvious sense of blade. I could have gone for blade of grass, or shoulder blade, or even roller blade (that one could have been fun), but sometimes the blatant meaning works best. As we approach Hallowe’en, the definition with the potential for menace seemed to suit. We’ll see where it leads.
This poem emerges as sort of stream-of-consciousness installments. I looked up images of radio waves, hoping for inspiration, and after scrolling and staring at the screen and finding my mind wandering off, I finally thought that some of the depictions reminded me of the grooves in pumpkins. So the radio waves may be emanating from today’s pumpkin, or from the “bulky remnants” below, or both. I tried to make them meld into the wisps.
Well, so far, so good. I didn’t spill water on the page, nor did I set it on fire, nor did I misspell anything. I will say that drawing wisps wasn’t easy, nor did I find a satisfactory way to do so. All I could think of was fog. We’ll see where the wisps lead us.
It’s Inktober again. I rather hate to start with this, but I am aware of the controversy swirling around Jake Parker right now.¹ Mostly I agree with the Well-Appointed Desk’s take on the matter (see below).
I had hoped to have more time to devote to this year’s Inktober, to write Bridget’s side of the correspondence from last year’s story, but I need a less consuming project. So I’m going to take each day’s prompt and use it in a line of a poem (no, I’m not really poet, but I thought I’d give writing a poem a try), and “illuminate” the page in the margins as I go along. Here’s the first day’s line and mini-illustration:
Stay tuned to see if I can pull this off. I’ve already messed up by leaving out a word in the first word. I had to glue a strip of paper over the first line to write the proper version. Maybe I can blot tomorrow’s line or spill water on the page!